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The following commentary on Peter Kosminsky’s documentary series, The Promise, was provided by the British-Israel Group, and is being posted in its entirety. (Also, see CW open letter to Peter Kosminsky, here.)
Channel 4 TV in the UK is currently broadcasting a 4 part documentary series “The Promise”, a dramatisation of the founding of Israel, and the Israeli-Palestinian conflict today, which is attracting 1.5 million viewers. The organization Beyond Images has issued a briefing to counter many of the statements and claims made in this inaccurate and misinformed documentary.
We, at BIG, feel that this information should be circulated as widely as possible.
Channel 4′s landmark TV series ‘The Promise’ is built on a serious historical falsehood about Israel
British TV channel Channel 4 has been broadcasting ‘The Promise’. And it is a landmark piece of television. ‘The Promise’ is a four-part, six-hour dramatisation of the founding of Israel, and the Israeli-Palestinian conflict today.
We have been watching it. And it is gripping. We are not surprised that it has been receiving very good reviews, and is a likely candidate for future broadcasting awards. Over 1.5 million viewers in the UK have been watching its two episodes to date, including – we assume – most people with an active interest in the conflict: politicians, academics, students, members of human rights groups, writers and intellectuals, diplomats and civil servants.
The production is superb. The acting is excellent. It is meticulously observed and staged..And it is also built on a major historical falsehood. A falsehood so severe that it undermines the credibility of its messages. Its director Peter Kosminsky claims that he “told both sides of the story”. But episode 1 reveals that he does not even know what the Israeli side of the story is……
‘The Promise’ describes the events of 1945-8 through the eyes of Len, a British sergeant who had witnessed the liberation of the Jews at Bergen-Belsen, and is later posted with British forces to Palestine. At a crucial moment in that first episode Len, together with other British army officers, receives a briefing from their British army commander on the purpose of their mission in Palestine, and the history behind it. This takes place shortly after the second world war.
The commander’s words are not intended as a partisan speech. It is the moment at which the British soldiers (and by extension 1.5 million viewers) are provided with the background to the conflict, and indeed the subsequent episodes of ‘The Promise’. Indeed it is the only piece of the script which endeavours to tell the story of how the Jews, the Arabs and the British found themselves in three-way conflict.
Here is what the British commanding officer in The Promise says:
“The Jews and Arabs have been living here in relative harmony for thousands of years. But our victory over the Germans has turned the trickle of Jews coming to this land into a flood. You must understand, the Jews see it as their holy land. But the Arabs, who have been here for over a thousand years, see them as stealing their land. Our job is to keep the two sides apart…..”
There you have it. The historical narrative of Israel. And it is a narrative which does not operate to resolve the conflict, but to perpetuate it. Ever since World War Two, the Arabs have seen the Jewish national enterprise as the consequence of Nazism. Without indigenous roots. And without historical legitimacy.
They build their sense of victimhood on the argument that they are “paying the price” for European fascism. Far from challenging this mindset, Kosminsky’s so-called ‘balanced’ narrative has reinforced it. Kosminsky makes no mention of the steady return to Palestine of Jews which had been carrying on since the 1880s. Kosminsky does not hint at the Balfour Declaration or other international commitments to support a Jewish national home.
Kosminsky does not recognise that Jewish national life had existed thousands of years ago in the land of Israel, and that the connection is a national connection.
Kosminsky does not pay any attention to the Jews’ state-building efforts in the period before the Second World War. And Kosminsky perpetuates a complete falsehood that the Jews and Arabs had been living in “relative harmony”. Kosminsky reportedly researched The Promise for over a decade. But has he heard of the Arab riots against the Jews of the Yishuv in the 1920s or 1930s?
Has he heard of the incessant violent assaults upon Jews building up Palestine? Has he heard of the Hebron massacre of 1929?
The idea that there was “relative harmony” in Palestine till World War Two is a fiction. It’s a fiction which Hamas and other rejectionists and ideologues readily embrace.
Meanwhile, the claim that the Arabs had been living there for a thousand years is also a massive over-simplification. Even the most partisan historians have to admit that Palestine under the Ottomans and then the British was not exactly a hub of Arab nationalism, or a focal point of Arab pride and economic endeavour.
While ‘The Promise’ is brilliant drama – and we will be highlighting its strengths as well its weaknesses in the future – there are plenty of other major flaws in its so called ‘balanced’ narrative and in its framing of the conflict. In subsequent weeks we will be explaining them. For now, here is a link to the programme website. We have quoted just one short extract from episode one. See for yourself: http://www.channel4.com/programmes/the-promise/4od (Not available outside the UK)
In this week’s episode of the Tribal Update, the television-on-internet satire show produced weekly by Latma, (the Hebrew-language media satire website edited by Caroline Glick), against the backdrop of the renewed “land for peace” talks between Israel and the PLO, the truth is revealed about World War 2′s origins and reveal Winston Churchill’s “true colors.”










Harriet Sherwood cynically exploits a Holocaust survivor on Yom HaShoah to criticize Israel
April 19, 2012 in Comments which are off-topic, ad hominem, racist, vulgar or include threats of violence will be deleted | Tags: Comment is Free, Delegitimization, Guardian, Harriet Sherwood, Holocaust, Holocaust Memorial Day, Nazi Germany, World War II, Yom HaShoah | by Adam Levick | 18 comments
Today is Yom HaShoah, Holocaust Remembrance Day, Israel’s day of commemoration for the six million Jews who perished in the Holocaust as a result of actions carried out by Nazi Germany.
At 10 AM sirens sounded throughout Israel for two minutes. During this time, as every year on this day, people ceased from action and stood at attention; cars stopped; and most of the country came to a standstill as people payed silent tribute to the dead.
On Yom HaShoah ceremonies and services are held throughout the country.
On Erev Yom HaShoah and the day itself, public entertainment venues are closed, and Israeli TV airs Holocaust documentaries, Holocaust-related talk shows, and low-key songs are played on the radio. Flags on public buildings are flown at half mast.
Israel is home to just under 200,000 Holocaust survivors.
The Guardian’s Harriet Sherwood decided not focus on one of the many heroic tales of survival against impossible odds, or the scars still carried by survivors’ children and grandchildren, those who are still haunted by stories of their parent’s and grandparent’s suffering, relayed by fading memories – a population still able to provide first hand accounts of their encounters with human evil.
Rather, Sherwood, published “Holocaust survivors struggling to make ends meet in Israel“, which is hard to surpass in the manipulation of genuine suffering in the service of agenda driven journalism.
Sherwood opens:
But the most manipulative passage is here, where she finds her desired quote:
Whatever the real economic hardships faced by Holocaust survivors in Israel (and even one survivor without enough to eat is, of course, one too many), to evoke hunger in Nazi era ghettos, where the mortality rate due to malnutrition and disease among babies and infants, for instance, was 100 percent, in the context of difficulties survivors face paying for food in the Jewish state is as callous as it is cynical.
(As a side note, the percentage of survivors cited by Sherwood as living below the poverty line 25%, though of course unacceptable, is exactly proportionate with the general population.)
Finally, In the penultimate paragraph, Sherwood finds one last quote to polish off her narrative.
Whatever the very real economic problems of survivors like Ros, it beggars the imagination that Sherwood couldn’t have avoided vilifying the Jewish state on such a solemn day.
Further, to provide a bit of context to the British-Israeli relationship, it should be noted that had a sovereign Jewish state been created prior the Holocaust the number of Jews killed would have been dramatically fewer, and indeed the British White Paper in 1939, a document influenced in large measure by Arab demands, dramatically limited the number of Jews allowed to immigrate into Palestine (75,000 over the following five years).
So, the gates of Palestine largely remained closed duration of the war, stranding hundreds of thousands of Jews in Europe, many of whom became victims of Hitler’s Final Solution.
The fact is that Israel has absorbed hundreds of thousands of Holocaust survivors, and nearly a million Jews expelled from Arab lands, since the end of WWII, and offered them citizenship, economic assistance, and didn’t let them languish in refugee camps.
But, most importantly, Israel provided these stateless, homeless Jews a safe haven in the first sovereign Jewish polity in over 2000 years - a historically persecuted minority finally no longer at the mercy of the goodwill, whims and wishes of “enlightened” non-Jewish rulers.
It is not at all surprising that a Guardian reporter like Sherwood can always find someone to serve a desired narrative of Israeli villainy, even in the context of the Jewish state’s response to the Shoah. But, the ubiquitous nature of such tendentious journalism doesn’t render it any less irresponsible or offensive.
But perhaps, just perhaps, her sensitive soul could have been moved (just this one time) to recount just one of the many stories (among the remaining survivors) of those Jewish men, women and children who risked everything to escape the fires ready to consume them in Europe to reach the shores of their promised land.
Having lost much if not all of their family, they had finally arrived in Eretz Y’srael. They had finally reached freedom.
Life in the modern Jewish state is, of course, not perfect, but it is not unreasonable to expect Harriet Sherwood to, at least on this one day, this supremely solemn occasion, display just a modicum of respect, a bit of self-restraint, and avoid such characteristic ideologically driven caricatures of the nation she’s covering.
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