Another Guardian post lamenting that news of misogyny in Gaza deflects focus from Israel

On March 7 we posted about a ‘Comment is Free’ essay by Nabila Ramdani titled ‘Hamas’s ban on women running Gaza marathon is a missed opportunity, March 6. We noted that the main concern of Ramdani, a Paris based journalist, was that Hamas’s decision to ban women from running in the UNRWA sponsored charity run, which resulted in the cancellation of the competition, would deflect attention away from the Israeli “occupation”.

The decision by Hamas, argued Ramdani, wastes what should have been yet another huge blow against Israel’s illegal [sic] occupation and blockade of the Palestinian territories.”

Ramdani isn’t alone in her political myopia.

The Guardian published a piece on March 9 titled ‘Format photography festival: from sharks to axe-wielding women – audio slideshow, which includes photos from a cultural event in the UK called ‘Format photography festival, as well audio from four of the festival’s photographers.  Here’s a clip from the first woman, Tanya Habjouqa, which I edited from a longer Guardian audio. Especially note what Habjouqa says at the 1 minute mark.

Habjouqa advances a truly a remarkable argument.  Like Ramdani, she seems especially concerned that those focusing on the oppression of women by a reactionary Islamist terror group are deflecting attention away from the Israeli blockade.

The sensitive artist evidently is unconcerned about hundreds of thousands of Palestinian women who suffer under a Hamas regime which has imposed personal status law derived from Sharia, placing them at a stark disadvantage in matters such as domestic abuse.  And, she would much rather discuss the “siege” than the misogynistic social mores in the Palestinian controlled territory which results in rape, domestic abuse, and “honor killings” often going unpunished by Gaza’s courts.

Habjouqa may fancy herself a feminist, but her selective outrage, which obsesses over Israel while ignoring the backwardness of Hamas’s theocratic tyranny – which promotes gender apartheid – undermines any claim she may have to being a genuine defender of women’s rights.  

“I am going to start an Intifada.”

The narrative regarding the deadly terrorist attack on the US Consulate in Benghazi, Libya on Sept. 11, 2012, which the MSM and the Guardian advanced, but which soon was proved to be completely erroneous, suggested that an obscure anti-Muslim film – which, it was claimed, was produced by an Israeli Jew – triggered a “spontaneous” protest outside the embassy, leading to an assault which left four people dead, including U.S. Ambassador Chris Stevens.

It soon became apparent that the film – which was actually created by a Coptic Christian – had absolutely nothing to do with the attack.  

It is now known that the attack on the U.S. Consulate in Benghazi was a premeditated act of terrorism committed by al Qaeda-linked terrorists.

On September 28, 2000, an Israeli Jew was blamed for inciting what would become known as the Al-Aqsa Intifada – a brutal five-year campaign of Palestinian terrorism, directed largely against Jewish civilians, which claimed over 1,100 innocent lives and injured thousands more.

The Intifada was defined by the hideous tactic of suicide bombing, in which the Palestinian terrorists detonated explosive belts in crowded public places (in order to maximize the loss of life), sending thousands of pieces of shrapnel tearing into human limbs and organs. 


On March 27, 2002, a Palestinian suicide bomber named Abdel-Basset Odeh murdered 30 people at a Seder meal at the Park Hotel in Netanya, including several Holocaust survivors

Most who truly understand the Israeli-Palestinian Conflict would have known already that Yasser Arafat started the Second Intifada, but the latest admission by Arafat’s widow, Suha, about the origins of the Intifada – which she similarly acknowledged last year - serves to completely discredit those who continue denying the obvious.

Suha Arafat in an interview in December on Dubai TV, said the following:

“Yasser Arafat had made a decision to launch the Intifada. Immediately after the failure of the Camp David [negotiations], I met him in Paris upon his return, in July 2001 [sic]. Camp David has failed, and he said to me: “You should remain in Paris.” I asked him why, and he said: “Because I am going to start an Intifada. They want me to betray the Palestinian cause. They want me to give up on our principles, and I will not do so. I do not want Zahwa’s friends in the future to say that Yasser Arafat abandoned the Palestinian cause and principles. I might be martyred, but I shall bequeath our historical heritage to Zahwa [Arafat's daughter] and to the children of Palestine.”


Click on image to go to video

Here’s permanent content on the Guardian’s Israel page, The Arab-Israel conflict:


The photo story consists of 22 photos illustrating the history of the conflict.

Here’s the photo representing the Second Intifada. (Note the caption)


Click to Enlarge

Here’s a photo and caption from a 2006 Guardian piece titledAriel Sharon: A life in pictures‘.


Indeed, among the more common erroneous narratives advanced by the mainstream media (and, of coursethe Guardian) is that Ariel Sharon’s visit to the Temple Mount, the holiest site in Judaism, “sparked” the Second Intifada and that the Intifada began organically – lies repeated so often that causal observers could be forgiven for believing them.

However, commentators of good faith can no longer make such a claim.

Arguing that an Israeli Jew sparked the Second Intifada, however, often serves a broader polemical objective: to deny Palestinian terrorists, and their leaders, moral responsibility for the five-year war of terror against Israeli civilians, and its injurious political consequences, in a manner consistent with an anti-Zionist narrative which rarely assigns such moral agency to the Palestinians under any circumstances.  

The claim that, in 2000, Jews incited Palestinians to kill Jews, like so much of what passes for conventional wisdom about the conflict, is a total lie.