Is James Harding’s religion relevant when reporting on his new position at the BBC?

Lisa O’Carroll’s April 16 story in the Guardian reports on the appointment of James Harding (former Times editor) as the BBC’s new director of news and current affairs.

harding

O’Carroll’s report includes the following passages:

Some of the Times’s anti-BBC leader columns may also come back to haunt Harding in his new job. In 2010, when hostilities between Murdoch and the BBC were at their height over the News Corporation’s bid to take over BSkyB, Harding ran an editorial accusing the corporation’s then director general Mark Thompson of “seeking to gain commercial advantages in league with News Corp’s rivals”.

Harding, who is Jewish, will also have to leave behind the pro-Israeli line of the Times. In a debate at the Jewish Community Centre For London in 2011, Harding said ”I am pro-Israel” and that in reporting on the Middle East, “I haven’t found it too hard” because “the Times has been pro-Israel for a long time”. However, he also stressed the need for balanced news reporting and said he was also in favour of a Palestinian state.

The ‘Editor’s Code of Practice‘ (published by the Press Complaints Commissionthe ‘independent’ regulatory body in the UK) which all editors and publishers in the UK are required to abide by, contains the following warning in their section on ‘discrimination’:

Details of an individual’s race, colour, religion, sexual orientation, physical or mental illness or disability must be avoided unless genuinely relevant to the story.

Whilst O’Carroll’s contention that Harding will have to leave his ‘pro-Israeli line’ behind now that he’s been appointed news director of the BBC is quite interesting in the context of the Beeb’s coverage of Israel and the Middle East, two particular questions come to mind:

Does O’Carroll’s decision to note that Harding is Jewish in the particular passage cited indicate she has already concluded that his religious affiliation is relevant in that it explains his ‘pro-Israeli’ views?  

If that is not what O’Carroll is suggesting, in what other way, per the language in the PCC Editor’s Code, is Harding’s religion relevant to a story about his new position at the BBC?

Surprise, surprise! Jon Donnison’s fauxtographic Tweet partner is a Guardian journalist

In a BBC Watch post which went viral  - the effects of which are still reverberating today – Hadar Sela reported on a Tweet by BBC Gaza correspondent Jon Donnison with a photo he erroneously claimed was that of a dead child in Gaza.

The incorrect information sent to 7,971 of Donnison’s followers was originally Tweeted  by Hazem Balousha – a Palestinian ‘journalist and social activist’ – and included the photo with the words “Pain in Gaza”, to which Donnison added his own commentary – “Heartbreaking”.

However, blogger Adam Holland replied to Donnison, informing the BBC journalist that the photo was not from Gaza – but, rather, from Syria.

Donnison later acknowledged his mistake and deleted the Tweet.

However, in addition to the sloppy journalism by Donnison, the man who originally Tweeted the photo of the child, whose judgment Donnison trusted, has an interesting background himself.

Hazem Balousha is a Palestinian Journalist & social activist based in Gaza, and founder of Palestinian Institute for Communication & Development Palestine/Germany ‘ – an organization based in the Rimal District in Gaza

Quite interestingly, Balousha is also a Guardian journalist who has co-written pieces with Harriet Sherwood, Peter Beaumont and Chris McGreal – and was described as a “colleague” by the Guardian’s Richard Adams in a live blog on the Palestine Papers in 2011.

McGreal’s Jan 7, 2009 report written with Balousha – which McGreal cited in a recent report, on Nov. 23, 2012 – suggested, without any proof, that Israeli soldiers beat Palestinians in front of the their children to humiliate them, and even resurrected the Al-Durra libel in service of a broader narrative suggesting that IDF cruelty towards Palestinians “draws many into the cult of [suicide bombing] the ‘martyr’”.

The overwhelming majority of Balousha’s pieces at the Guardian were published between Dec. 28 2008 and Jan. 19, 2010, focusing on the suffering (most by children) during Cast Lead.  However, he also contributed prior to the war and, in an article he wrote in 2007, for instance, he admitted to having an eldest brother close to Hamas.

Much of his Guardian work explores the theme of dead children, and children otherwise victimized by the Israeli military, and many of Balousha’s tweets include pictures of dead or injured Palestinian kids. (Many of these pictures are from a photographer named Ashraf Amra, an activist who has a history of using children to engage in photographic propaganda.)

Interestingly, on Nov. 21, two days after the scandal involving Donnison’s Tweet, while the war was still raging, Balousha wrote a story at Deutsche Welle titled ‘Israel and Palestinians wage social media war‘.

Here’s a passage from his report:

“False information about the current war is also being spread via Twitter and Facebook – pictures of dead children, for example, that are actually from Syria. That angers [Gaza activist] Ebaa Rezeq. “We have to stick to the truth, or no one is going to believe us any more.” Ulla Papajak also believes that pictures and information need to be verified for accuracy – even if he also understands that there is no time to do so.”

It would be interesting to know if he and Donnison were similarly angry at themselves for casually propagating patently false information (to nearly 8,000 followers) about the horrific death of a child.

Hadar Sela, managing editor of BBC Watch, said:

“The reliance of Western media outlets upon local staff for information, translation and introductions is not a new phenomenon. Neither is the fact that some of those local journalists may have additional connections to regional actors, as was apparent a decade ago during the second Intifada. But as technology advances and social media increasingly cuts out the ‘middle man’ between the journalist and the audience, it is obvious that editors and journalists shoulder a greater responsibility for checking the reliability – and motives – of their local staff and sources.” 

Such journalist activists – whether they’re at the Guardian or the BBC – are risking more than their own reputations.  If Guardian and BBC editors continually allow their journalists to make such egregious errors with impunity, and report the news in a manner resembling political advocacy rather than professional journalism, whatever remaining credibility they may have will continue to erode. 

Increasingly, as Gaza activist Ebaa Rezeq noted, “no one is going to believe [them]“.

Thou shall not criticize the BBC at ‘Comment is Free’?

John Ware published an essay on Nov. 10 at ‘Comment is Free’ titled ‘A personal tragedy, and a hammer blow for an honest institution‘, about the resignation of George Entwistle as the BBC’s director general after a Newsnight report wrongly implicated Tory peer Lord McAlpinein in the Jimmy Savile child abuse scandal.

Ware, a BBC Panorama reporter since 1986, criticized BBC senior management, which he accused of having “collapsed into a dysfunctional heap” under the strain the Savile and McAlpinein crises, before rallying to Auntie’s defense thus:

“The irony is, as Michael Grade used to say, when he ran Channel 4: “It’s the BBC that keeps us honest.” That was true then, and it remains true today, despite the trouble that Entwistle’s resignation has prompted.

At almost every level, BBC journalism illuminates areas of our national life, and around the world, with a care and precision unmatched by other media outlets. On any objective view, the BBC is overwhelmingly a force for good and understanding. And this really is the point. The Newsnight debacle is an aberration.”

A CiF commenter took exception to Ware’s argument, writing this:

 

Here’s a capture of the BBC report the commenter linked to:

A bit later, however, the comment was deleted, deemed inappropriate by CiF moderators:

 

Finally, just as a FYI, there’s a great site I’ve recently ‘come across’ whose managing editor expertly fisked the report cited above and, more broadly, superbly illuminates the BBC’s consistent anti-Israel bias with “care and precision” unmatched by any other blog. 

The launch of BBC Watch

Fans of this blog have often asked why we do not monitor British media institutions other than the Guardian for anti-Israel bias – a query to which we have not had an answer. 

Until now.

Recognising the importance of the BBC in shaping world-wide opinion, a new site, BBC Watch, has been launched which will monitor BBC coverage of Israel and the Middle East.

BBC Watch – a sister project of CiF Watch with the independent support of the Committee for Accuracy in Middle East Reporting in America (CAMERA) – will provide comprehensive monitoring of the BBC’s coverage of the Arab-Israeli conflict in order to ensure adherence to the BBC’s own editorial guidelines.

A few of the more egregious problems at the BBC will be familiar to many CiF Watch readers:

Inspired by CiF Watch’s success in holding the Guardian accountable, BBC Watch will strive to curb the spread of inaccurate or misleading information and distortions at the BBC by fact-checking and providing relevant historical context and complimentary information .

In the case of an organisation as widely viewed, heard and trusted as the BBC, it is vital that misinformation be corrected before it spreads world-wide.

CiF Watch’s Hadar Sela, Managing Editor of the new BBC Watch site, explained the new site’s mission:

“Two organisations which formerly monitored BBC output – ‘Just Journalism’ and Trevor Asserson’s ‘BBC Watch’ website – have ceased operations in recent years, exacerbating the need for close and regular monitoring of the world’s most influential broadcaster”.  BBC Watch will seek to build upon and develop the work already done by those organisations in order to continue the monitoring of BBC output on the subject of Israel and to examine the broadcaster’s adherence to its legal obligation to produce accurate and impartial reporting as a service to its funding public.”

The BBC’s responsibility, as defined in the Royal Charter, includes the obligation to inform its funders – i.e. the license fee-paying British public.  This obligation is emphasized in the agreement between the BBC and the Secretary of State for Culture, Media and Sport:

“In developing (and reviewing) the purpose remit for sustaining citizenship and civil society, the [BBC] Trust must, amongst other things, seek to ensure that the BBC gives information about, and increases understanding of, the world through accurate and impartial news, other information, and analysis of current events and ideas.”

BBC Watch intends to diligently hold the BBC accountable to this standard.

Updates can be received via Twitter @bbcwatch and Facebook at www.facebook.com/bbcwatch.