‘What can ‘forensic architecture’ reveal about the conflict in Gaza?‘, Guardian, Sept 1, focuses on the Haifa-born, London educated architect Eyal Weizman, evidently famous in some circles as the “chief proponent of “forensic architecture”, which analyzes the “impacts of urban warfare” for clues about the crimes perpetrated there.
When he looks out across the landscape of the occupied Palestinian West Bank, as he does in the film The Architecture of Violence, to be aired on Al Jazeera today, [Eyal Weizman] sees a battlefield. “The weapons and ammunitions are very simple elements: they are trees, they are terraces, they are houses. They are barriers.”
In the kitchen of his east London home…he says the most obvious and contentious aspect of what he calls the “architecture of occupation” is the system of Israeli settlements. Perched on West Bank hilltops, they are strategically positioned, according to Weizman, so that they look out over the Palestinian valleys and towns below, in order “to dominate”.
Then, the kicker:
Each of the uniformly suburban-looking houses – all with mandatory red roofs so that on flyovers the Israeli army know[s] not to target them – is “itself like an optical instrument,” he tells me.
As bizarre as this claim is, amazingly it has been advanced previously. Just a few months ago, the Chairman of Norwegian People’s Aid, Finn Erik, said pretty much the same thing at a lecture in Norway. But, as popular blogger Elder of Ziyon demonstrated, there are multiple reasons why this claim doesn’t withstand even the slightest scrutiny.
- Most Palestinians in Judea and Samaria live in areas A and B under control of the Palestinian Authority (PA). The PA has full responsibility for zoning and import of building materials, including the type of roof tiles that can be used. There are no Palestinian regulations that prohibit the use of red roof tiles.
- Israel has no laws or regulations that prohibit the use of red roof tiles in Area C which is under Israeli control. This means that both Arabs and Jews who build in this area can use red roof tiles in their houses, if they want to.
- The Israeli air force uses precision weapons that can hit its target with great accuracy both day and night, and is completely independent of the color of the house or on the roof tiles.
- Most Palestinian houses do not have red roof tiles is that they do not tile their roofs at all. The traditional Arab architecture in the area includes a solarium that can be used for different purposes.
- A number of houses built in recent years in Arab settlements in Israel, Judea and Samaria, have red tiles.
Additionally, Elder noted that Israeli aircraft does not bomb houses in Judea and Samaria. And, indeed, as far as we can tell there hasn’t been an air strike anywhere in the West Bank, for any reason, since the height of the 2nd Intifada.
Since there were no local skilled builders at the beginning of the 19th century the English had even been forced to import stonecutters from Malta no antagonism was felt towards the foreign styles that sprouted on the local landscape. Consciously or not, that century witnessed the belated victory of the Crusaders, with the creation of a Christian presence in the Holy Land, which took over the educational and welfare system and began the Europeanization of this part of the world.
The local population began to copy the European styles of building. Wealthy Arab families who had left the Old City began building villas and mansions in the European style, albeit heavily decorated with traditional Moslem embellishments. The cities that were then growing adopted European terraced housing and the sloping red-tiled roofs.
The Jews, who had lived till then in homes rented from Arabs, also began to establish their own independent neighbourhoods. Mishkenot Shaananim (lit. “tranquil dwellings”) was the first such area in Jerusalem. It was built with the help of the British philanthropist, Sir Moses Montefiore, in 1860, as a series of long buildings topped by sloping, red-tiled roofs.
Red-tiled roofs, which came to symbolize the Jewish presence and represented the idealized “home”;
Just as in the beginning, the Israeli still sees the red roof as a status symbol.
As Matti Friedman explained in his masterful essay at Tablet Magazine, one of the iron-clad rules of media coverage of the region requires that “every flaw in Israeli society is aggressively reported”, to which he should have added: even those ‘flaws‘ which are merely a figment of the increasingly wild anti-Zionist imagination.