Associate a political activist with the bucolic imagery evoked by the term “Arab Spring” – a movement whose often decidedly illiberal aspects are routinely ignored by the Guardian and most of the MSM – and, no matter how compromised the person is by a quite reactionary ideological orientation, the halo effect is secured.
The Guardian’s Jack Shenker, writing in the Art and Culture section, “Carlos Latuff: The voice of Tripoli – Live from Rio“, Aug. 22, bestows upon Latuff the honor of “progressive” political cartoonist in service of the “democratic” ideals of the Arab revolution.
Shenker benignly characterizes Latuff, thusly:
“a Brazilian cartoonist who has become an unlikely star of the Arab spring – and, more recently, cartoonist to protests and conflicts around the world. A smiling, shaven-haired 42-year-old who still lives with his parents in Rio.”
Shenker, later in the piece, says:
“Latuff has become known for his support of the Palestinian cause; some campaigners claim his work is antisemitic. “Part of the supposed ‘evidence’ for my antisemitism is the fact that I’ve used the Star of David, which is a symbol of Judaism,” he says wearily.
Of course, Shenker, conventiently fails to note the extreme left activist’s well-documented record of not merely “using the Star of David”, but publishing cartoons which demonstrate an obsessive, visceral, and vicious hatred of Israel which, quite often, employ the Star of David to characterize the Jewish state as morally equivalent to Nazi Germany – imagery which often devolves into other expressions of outright anti-Semitism.
Indeed, Latuff appeared quite prominently in my essay for the Jerusalem Center for Public Affairs, “Anti-Semitic Cartoons on Progressive Blogs.”
When he’s not using his “art” to promote the Arab Spring he can be seen advancing racist depicitions of Jews and, on at least one occasion, African Americans.
His body of work pertaining to Israel and the Palestinians evokes an immutably villainous Jewish state similar to what can be found in the most anti-Semitic Arab media – and include clear assertions that Israelis take pleaseure in murdering innocent Palestinian children.
Israel as Nazi Germany: Here’s one out of dozens of Latuff cartoons which portary Israel as the new Nazi Germany and Israeli Jews the new Nazis.
He’s also not beyond illustrations containing even more explicit anti-Semitism.
Dual Loyalty and conspiratorial notions of Jewish control: The Jewish lobby (and/or Israel) controls the U.S. government
Jewish supremacism: Mockery and distortion of Jews as the chosen people
As this blog continually documents, the greatest and most dangerous ideolgocial vice of Guardian commentators, reporters, and correspondents is not, per se, explicit expressions of anti-Semitism but, rather, anti-Semitic sins of omission: Their capacity to ignore those who advance clear and unambiguous Judeophobic narratives.
In this case, the Guardian’s Jack Shenker could have easily, with a few Google hits, uncovered Latuff’s record of using his political cartoons in the service of evoking hateful narratives of Jews and Israel.
Editors of a paper which truly championed liberal values would never have white washed such rank bigotry.